In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Milan, the studio of Piero Lissoni, a designer I like to consider worthy of being called the representative of modern day “Lombard Classicism”, covers the entire range of projects historical...

In Australian aboriginal language, marli means butterfly. For Alessi, “marli” has become a family of objects with an aerodynamic shape which combines with the plasmatic nature of the object. Wi...

The successful and iconic design family named “Mediterraneo”, created by Emma Silvestris in cooperation with Laura Polinoro, has been translated into new types of kitchen utensils (jars and a h...

The successful and iconic design family named “Mediterraneo”, created by Emma Silvestris in cooperation with Laura Polinoro, has been translated into new types of kitchen utensils (jars and a h...

The successful and iconic design family named “Mediterraneo”, created by Emma Silvestris in cooperation with Laura Polinoro, has been translated into new types of kitchen utensils (jars and a h...

As I noted in February when presenting the first items in this family, the “Babà” containers epitomise the entire category of Containers in an elegant, intelligent and appealing way. I conside...

As I noted in February when presenting the first items in this family, the “Babà” containers epitomise the entire category of Containers in an elegant, intelligent and appealing way. I conside...

Francesca Amfitheatrof is a refined young silversmith and creator of jewellery who lives in London. “Unicci” and “Uni” are two small objects for the bathroom decorated with the same pattern...

Francesca Amfitheatrof is a refined young silversmith and creator of jewellery who lives in London. “Unicci” and “Uni” are two small objects for the bathroom decorated with the same pattern...

With this first object by Alessi for the bathroom, and one that was not free of criticism for having dared touch such a difficult subject, Giovannoni brought in a welcome breath of poetry to which ...