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Centrepiece La Stanza dello Scirocco

La Stanza dello Scirocco PC-MT03

Regular Price: €85.00

(-24%)

Now only: €65.00

Designer Mario Trimarchi
Color:
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    • 18/10 stainless steel
    • white
    • black

La Stanza dello Scirocco: a magic place full of imagination

PC-MT03

Centrepiece in steel coloured with epoxy resin, white.

Width (cm):  37.50
Height (cm):  15.00
Length (cm):  41.60

“La Stanza dello Scirocco” is a range of items suitable for different rooms, such as the kitchen and the living room born out of the abstract and motionless atmosphere of a magic place: the room in large Sicilian country homes where one is forced to seek shelter from the sultriness while waiting for the scirocco to die down. It is a room without windows in which you can do nothing but ponder the wind that is undoing all sublunary things outside. The upshot is a collection of geometrically irregular items made up of small splinters of various sizes, interlaced in an unstable balance.

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Mario Trimarchi

The Designer

Mario Trimarchi

Mario Trimarchi, born in Sicily, has lived and worked in Milan since 1983. An architect of the “freehand” generation, he has always moved freely within the visual universe and considers drawing, photography, design and image as equal components with the same theoretical approach. Between 1994 and 1998 Trimarchi was Director of Advanced Design at the Domus Academy and from 1989 to 2000 was part of the Olivetti Design Studio, where he worked with Michele De Lucchi. In 1999 he founded his own Corporate Identity Care studio, FRAGILE. With FRAGILE he designs systems of identity, coordinated image and visual alphabets through which diverse individualities can be expressed. He has designed many trademarks, most notably for Poste Italiane, the graphics for numerous large exhibitions, communications systems for Italian design companies and, finally, many displays and interiors. Never relinquishing his passion for drawing, architecture or design, he is currently working on the theme of unstable geometries, which he utilises within the context of our relationships with everyday objects in an attempt to change, however slightly, our habitual patterns of living.