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Designed in 1926 by Marianne Brandt, the only woman to have worked in the Bauhaus Metallwerkstatt, this is a wonderful example of an archetype in the search for simplicity in the industrial process of spinning and pressing metals.
German (1893-1983). She studied painting and sculpture in Weimar and was the only woman who took part in the Metallwerkstatt of the Bauhaus. Her objects are a splendid example of her research to simplify the industrial processes of spinning and printing.